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  • I and artist, I'm a writer, I'm a lot of thing. Organized isn't one of them, though. This is mostly a writing blog, but for now, it's a collection of inspiration and reference material for my upcoming projects.

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    • 2,594 notes
    • 1 month ago

    dynamicafrica:

    “If you don’t like someone’s story, write your own.”

    “Nobody can teach me who I am. You can describe parts of me, but who I am - and what I need - is something I have to find out myself.”

    “We cannot trample upon the humanity of others without devaluing our own.The Igbo, always practical, put it concretely in their proverb Onye ji onye n’ani ji onwe ya: “He who will hold another down in the mud must stay in the mud to keep him down.”

    “When a tradition gathers enough strength to go on for centuries, you don’t just turn it off one day.”

    “When the British came to Igbo land, for instance, at the beginning of the 20th century, and defeated the men in pitched battles in different places, and set up their administrations, the men surrendered. And it was the women who led the first revolt.”

    “When suffering knocks at your door and you say there is no seat for him, he tells you not to worry because he has brought his own stool.”

    “While we do our good works let us not forget that the real solution lies in a world in which charity will have become unnecessary.”

    “It is the storyteller who makes us what we are, who creates history. The storyteller creates the memory that the survivors must have - otherwise their surviving would have no meaning.”

    “I would be quite satisfied if my novels (especially the ones I set in the past) did no more than teach my readers that their past - with all its imperfections - was not one long night of savagery from which the first Europeans acting on God’s behalf delivered them”

    “That we are surrounded by deep mysteries is known to all but the incurably ignorant.”

    RIP Chinua Achebe.

    (via holaafrica)

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    • 1 month ago
    thisiswhitehistory:

Day 8 of White History Month: The Construction of Whiteness
White supremacy does not exist or persist because whites foolishly fear people with a different skin color. it survives and thrives because whiteness delivers unfair gains and unjust enrichments to people who participate in and profit from the existence of a racial cartel that skews opportunities and life chances for their own benefit. it externalizes the worst social conditions onto communities of color and provides whites with a floor below which they cannot fall. - George Lipsitz, The Posessive Investment in Whiteness
You are likely aware that race is socially constructed. Whiteness, too, is a social construction. Whiteness is not an accident, nor an innocuous creation. It was initially created and still exists today to justify a racial order in which those considered white are at the top, and people of color are at the bottom. Whiteness is normalized, thus it generally goes unnoticed.
Whiteness is not just about skin color (those considered white are not literally white, just as those considered Black are not literally black), but also about investment, interests, and attitudes - it is a form of social capital rather than a static concept. Investing in whiteness meant the construction of white supremacy and as an extension, privilege simply for being white. The construction of whiteness prevented white Americans from fighting for more and seeking out solidarity with people of color along other lines, such as class. Today, whiteness still obscures many white people’s best interests.
Indentured servants were differentiated from Black slaves through the construction of whiteness. While indentured servants were never treated as poorly as Black slaves, white indentured servants and Black slaves initially worked alongside each other, lived in similar conditions, and had sexual relations with one another. Black slaves were eventually considered to be  lifelong slaves, while white indentured servants were only temporarily servants. Black people were considered natural slaves, bound to slavery by their Blackness, while white indentured servants had whiteness extended to them. 
For centuries, slave holding and land owning white men benefited the most from slavery, theft of land, and the general oppression of Black and Native Americans. Despite this, whiteness gave poor whites a reason to trust and buy into the system of whiteness. Buying into whiteness meant a guarantee that someone else was always below you. Buying into whiteness also meant patriarchal protection for white women.
Whiteness was mandatory for citizenship in the United States. Non-European immigrants went to court to try to have the racial group they belong to considered white. Immigrants quickly learned upon arrival in the United States that whiteness was also necessary for success (which is another post in itself). These immigrants had to work towards being considered white.
There were tangible benefits to be found in whiteness. Jim Crow laws and intimidation largely restricted the rights and movement of people of color. Segregation meant that those considered white had access to all public spaces, and particularly the best spaces available. This meant widespread access to public facilities, better schools, universities, and more. The GI Bill and Social Security Act initially excluded many Black Americans, yet they greatly benefited the white working and middle class. Restrictive covenants excluded people of color, yet they included even later European immigrants and granted them access to the best neighborhoods.
Political Scientist Andrew Hacker asked his students how much money it would take to go from being white to being Black. Most students put a dollar amount of $50 million (or $1 million per year of their life). Whiteness is an enormous enough investment that a cash value can be ascribed to it.
Benefits conferred by whiteness have affected what resources people of color have had access to and have resulted in widespread wealth disaccumulation (and subsequent accumulation of wealth for white Americans). Even today, due to a centuries-old construction, these privileges exist (see: white privilege). 

    thisiswhitehistory:

    Day 8 of White History Month: The Construction of Whiteness

    White supremacy does not exist or persist because whites foolishly fear people with a different skin color. it survives and thrives because whiteness delivers unfair gains and unjust enrichments to people who participate in and profit from the existence of a racial cartel that skews opportunities and life chances for their own benefit. it externalizes the worst social conditions onto communities of color and provides whites with a floor below which they cannot fall. - George Lipsitz, The Posessive Investment in Whiteness

    You are likely aware that race is socially constructed. Whiteness, too, is a social construction. Whiteness is not an accident, nor an innocuous creation. It was initially created and still exists today to justify a racial order in which those considered white are at the top, and people of color are at the bottom. Whiteness is normalized, thus it generally goes unnoticed.

    Whiteness is not just about skin color (those considered white are not literally white, just as those considered Black are not literally black), but also about investment, interests, and attitudes - it is a form of social capital rather than a static concept. Investing in whiteness meant the construction of white supremacy and as an extension, privilege simply for being white. The construction of whiteness prevented white Americans from fighting for more and seeking out solidarity with people of color along other lines, such as class. Today, whiteness still obscures many white people’s best interests.

    Indentured servants were differentiated from Black slaves through the construction of whiteness. While indentured servants were never treated as poorly as Black slaves, white indentured servants and Black slaves initially worked alongside each other, lived in similar conditions, and had sexual relations with one another. Black slaves were eventually considered to be  lifelong slaves, while white indentured servants were only temporarily servants. Black people were considered natural slaves, bound to slavery by their Blackness, while white indentured servants had whiteness extended to them. 

    For centuries, slave holding and land owning white men benefited the most from slavery, theft of land, and the general oppression of Black and Native Americans. Despite this, whiteness gave poor whites a reason to trust and buy into the system of whiteness. Buying into whiteness meant a guarantee that someone else was always below you. Buying into whiteness also meant patriarchal protection for white women.

    Whiteness was mandatory for citizenship in the United States. Non-European immigrants went to court to try to have the racial group they belong to considered white. Immigrants quickly learned upon arrival in the United States that whiteness was also necessary for success (which is another post in itself). These immigrants had to work towards being considered white.

    There were tangible benefits to be found in whiteness. Jim Crow laws and intimidation largely restricted the rights and movement of people of color. Segregation meant that those considered white had access to all public spaces, and particularly the best spaces available. This meant widespread access to public facilities, better schools, universities, and more. The GI Bill and Social Security Act initially excluded many Black Americans, yet they greatly benefited the white working and middle class. Restrictive covenants excluded people of color, yet they included even later European immigrants and granted them access to the best neighborhoods.

    Political Scientist Andrew Hacker asked his students how much money it would take to go from being white to being Black. Most students put a dollar amount of $50 million (or $1 million per year of their life). Whiteness is an enormous enough investment that a cash value can be ascribed to it.

    Benefits conferred by whiteness have affected what resources people of color have had access to and have resulted in widespread wealth disaccumulation (and subsequent accumulation of wealth for white Americans). Even today, due to a centuries-old construction, these privileges exist (see: white privilege). 

    (via witchsistah)

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    • 1 month ago

    circusbones:

    blacknoonajade:

    karkles-the-adorabloodthirsty:

    sonofbaldwin:

    I got dressed in my traditional Indian regalia, but there was a man, he was the producer of the whole show. He took that speech away from me and he warned me very sternly. “I’ll give you 60 seconds or less. And if you go over that 60 seconds, I’ll have you arrested. I’ll have you put in handcuffs.”

    - Sacheen Littlefeather in Reel Injun (2009), dir. Neil Diamond.

    They were MAD, CONFUSED AND PRESSED that Marlon Brando would betray White Supremacy in this way.

    To this very day, they are TWISTED over this.

    And when Littlefeather got up there and READ THEM FOR FILTH, they GAGGED. For eons.

    So I imagine there are people like me out there who’ve never even heard of Marlon Brando and are extremely confused over why this is important.

    Marlon Brando was the Don in The Godfather, and in 1973, he was nominated for and won an Academy Award for it. However, he was also a huge Natives rights activist, and boycotted the ceremony because he felt that Hollywood’s depictions of Native Americans in the media led to the Wounded Knee Incident (which I was always taught as “the second massacre at Wounded Knee” but apparently that’s not the real name). He sent Sacheen Littlefeather, an Apache Native rights activist, in his stead. Wikipedia’s article on her explains the rest:

    Brando had written a 15-page speech for Littlefeather to give at the ceremony, but when the producer met her backstage he threatened to physically remove her or have her arrested if she spoke on stage for more than 60 seconds.[5] Her on-stage comments were therefore improvised. She then went backstage and read the entire speech to the press. In his autobiography My Word is My Bond, Roger Moore (who presented the award) claims he took the Oscar home with him and kept it in his possession until it was collected by an armed guard sent by the Academy.

    That is what this gifset is about.

    You have GOT to read up on this. The Wounded Knee Incident, Marlon Brando and Sacheen Littlefeather, Anna Mae Aquash. ALL OF IT. 

    Her name was known in my house, I hope it’s known in many, many more in the future.

    (Source: feu-follet, via tranzfat)

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    • 1 month ago

    (Source: tgirlsdaily, via tranzfat)

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    • 1 month ago
    fantasyofcolor:

Desert Steampunk 1 by ~WhiteWing-Stock-EtAl

    fantasyofcolor:

    Desert Steampunk 1 by ~WhiteWing-Stock-EtAl

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    • 1 month ago

    Would you be surprised if I told you that, according to the Bechdel Test website, only 5 of IMDB’s Top 250 passed all three Bechdel criteria in 2010? Are we really asking too much of the film industry to include two women, who talk to eachother, about something besides a man? Surely this is the bare minimum of female representation we should expect from films. Women populate more than half of the world and yet we are still so often consigned to being the ‘love interest’ whose lives centre wholly around the male protagonist even to the point where the majority of mainstream films in our cinemas seem to find it impossible, in their entire run-time, to imagine a world in which a woman conducts a conversation that is not about a man.

    (via racebending)

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    • 1 month ago
    apihtawikosisan:

From the Alaska Native Knowledge Network (ANKN), this graphic is an excellent way to clarify for people that culture is much more than food, dress, music and dancing. Something that should be obvious, but is often overlooked, particularly when discussing ‘the other’.
http://ankn.uaf.edu/

    apihtawikosisan:

    From the Alaska Native Knowledge Network (ANKN), this graphic is an excellent way to clarify for people that culture is much more than food, dress, music and dancing. Something that should be obvious, but is often overlooked, particularly when discussing ‘the other’.

    http://ankn.uaf.edu/

    (via beyondvictoriana)

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    • 1 month ago

    panamanianmoon:

    rosiesays:

    Oppression is cooking being “women’s work,” while the overwhelming majority of top restaurant chefs being male.

    Oppression is fashion being a “silly girl thing,” while the top earning designers and CEOs in fashion being male.

    Oppression is reducing women to consumers profiting a male system, even in fields that we supposedly dominate.

    See: makeup artists and stylists as well. I was just thinking about this today.

    (via mamamantis)

  • Black Audacity: 7 Young Black Writers You Should Know

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    • 1 month ago

    blackaudacity:

    image

    Jenna Wortham

    As  a technology reporter for The New York Times, Jenna Wortham writes about mobile apps, Web start-ups, and everything in between. Prior to theTimes, Wortham served as a technology and culture reporter for Wired.com. In-depth and comprehensible to even the most technologically-impaired, her writing has also appeared in print publications like Wired, Bust, and Frommer’s. Yet her most distinctive work to date is Girl Crush, a zine launched by Wortham and Thessaly La Force that venerates inspirational women. Girl Crush’s first volume, released last summer, featured over 20 essays and musings from acclaimed female contributors, including a Pulitzer-winning novelist. “The goal isn’t to turn a profit, but rather to capture a cultural moment, which in turn, offers the creators the freedom to explore and experiment,” explained Wortham in a Times article on zines.

    image

    Rembert Browne

    Like many of his twenty-something year-old peers, Rembert Browne started a blog, 500 Days Asunder, in 2011 to document his daily musings and to put his “creative juices” to practice. His exhilarating honesty coupled with his tangy wit and introspective rumination made for some of the best, most unique blog posts published in a while. Included in his most popular posts are “5 Black Comedians: A Study,” “Top 10 Diddy Moments. Ever,” and “Me vs. Drake.”  While most people, young or old, might have balled up into a dark, deep hole after being fired from their first job within nine months, or withdrawing from graduate school with eight months left, Browne wrote a kick ass, inspirational farewell blog post titled “About That Life” before reassessing his next moves. The Dartmouth alum was soon after promoted from freelancer to staff writer atGrantland, where he puts his distinct spin on culture and sports.

    image

    Jackie Sibblies Drury

    Since entering the selective stratosphere that is American theatre, the Brooklyn-based playwright Jackie Sibblies Drury’s star has continued soaring to impressive heights. A 2012 New York Magazine article spotlighted her as one of the city’s 10 playwrights to watch. Time spent at Brown University’s MFA playwriting program resulted in her winning the David Wickham Prize in Playwriting and a Weston Award. Drury went on to write the award-winning playWe Are Proud to Present a Presentation and receive multiple fellowships, including the inaugural Jerome New York Fellowship, which awarded her $50,000 towards producing new work and researching Morocco. In an interview with “Works By Women” last fall, Drury explained the project: “I’m hoping to spend my time talking with people, observing people, and reading a lot while thinking about the intersections between politics, Islam, and feminism, both in a predominantly Islamic state as well as in African-American communities in the U.S.”

    image

    Uzoamaka Maduka

    Otherwise known as Max, Uzoamaka Maduka’s name has been plastered all over major New York City publications. More attention has been given to her socialite-like charisma than her literary journal, The American Reader. Nonetheless, the Nigerian-American Princeton graduate has been on a steadfast mission to revitalize the American literary magazine. “So many of the voices in fiction that are out there are deeply neurotic white male stories…I kind of felt like, I really don’t want to sit still for this,” Maduka told The New York Times. “Literature, from women of any race and men of any race, besides white, would always be pigeonholed as, ‘Now I’m going to tell you my Nigerian story,’ and it was so tiring.” Two issues of The American Reader were published in 2012 to mostly tentative reviews, but Maduka has already shifted her focus to this calendar year with aims of landing a second investor and scouting potential writers.

    image

    Kyla Marshell

    The petite, powerhouse poet that is

    Kyla Marshell has been building a solid repertoire of award-winning published pieces for quite some time now. She has demonstrated an acute ability to dissect multifaceted issues, both social and personal, in her arsenal of poems. In “We’ll Always Have Negritude,” a piece about “how Black people are going to survive the apocalypse,” Marshell writes, “my locs will be the chain-link fence keeping out those aliens, & your afro will be the cumulus clouds cottoning the sky, the unpicked cotton sky.” A graduate of Spelman College and Sarah Lawrence College, she has also penned excellent commentary on Black hipsters and the hashtag’s lament, written reviews on jazz for Okayplayer’s The Revivalist, and received a Jacob K. Javits Fellowship in 2011 and a Cave Canem Fellowship in 2010 and 2011.

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    Jason Parham

    “We as a people come out of this highly literary Black tradition where we’re trying to break down societal barriers through art and give a voice to people who often go unheard,” Jason Parham, editor of the literary journal Spook, told EBONY.com in a past interview. “We create our own conversations and dictate our own conversations and show we are just as powerful and we have just as much to say as anybody else.” Having noticed a dearth in the canon of great journals like The New Yorker and Harpers, Parham displayed an exemplary amount of self-determination and created a great publication “with a heavy minority focus.” Sixteen Black writers (including Marshell and Browne) skilled in various genres contributed to the first issue of Spook released this past June. Parham, who has penned articles for Vibe, GQ, The Atlantic and Village Voice, told our Brooke Obie that he was transitioning to creative writing, working on his novel, and finalizing the second volume of Spook. “With Spook, I hope to show that our writing is as good as anybody else’s.”

    image

    Taiye Selasi

    When Toni Morrison sets a deadline for you, you meet it. And that is exactly what Taiye Selasi did, according to an NPR interview. After meeting Morrison through the author’s niece, Selasi ended up having dinner at Morrison’s home and then her son’s home. It was during that second meeting that the Pulitzer Prize winner gave Selasi an ultimatum. “She said, ‘Listen, I’m going to give you a year. If you don’t have something for me by then, I don’t know what to say.” A year later, Selasi produced the short story, “The Sex Lives of African Girls,” which was published in the heralded literary journal Granta in 2011 and featured in Best American Short Stories of 2012. Born in London and raised in Massachusetts, Selasi unpacked intricate notions of identity in her 2005 seminal essay titled, “Bye-Bye, Babar (Or: What is an Afropolitan?”) Ghana Must Go, her highly-anticipated debut novel, will be released in March.


    Read more at EBONY http://www.ebony.com/entertainment-culture/7-young-black-writers-you-should-know-304/2#ixzz2J6AeX9Iy 
    #ebony magazine

    (via poc-creators)

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    • 1 month ago

    mydarkenedeyes:

    Aleksandr Kuskov - Time Machine (2012)

    (via bookshop)

  • Like most women, I currently live in a society where violence, harassment and scary shit can break out at any moment, just because I told some random asshole “no” without bothering to be nice about it. Doing that is so dangerous that most women don’t dare; after a few scary incidents, they learn to make up excuses, to smile, to be sweet and welcoming, to act as if every single random asshole on the street is a precious new friend that they would just LOVE to stand outside of the Chipotle and chat with FOR HOURS, if only cruel fate had not intervened. That’s what it’s actually like, being a woman: Playing nice with every random asshole, because this random asshole might be the one who hurts you. And then, if he hurts you anyway, they’ll tell you that you led him on.
    ~

    Tiger Beatdown (via pnasty)

    This is so relevant to everything.

    (via mindyshabibti)

    THIS THIS THIS. 

    This is what rape culture looks like.

    (via silverqueen)

    I really shouldn’t have to be grateful that the last guy I turned down just accepted it. That should be the NORM, not the exception.

    (via age-of-alejandro)

    (Source: battleships, via rabbleprochoice)

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    • 1 month ago

    blackhistoryalbum:

    FLY GIRL
    African American aviatrix Bessie Coleman (1892 - 1926).

    (via shadesoffantasy)

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    (Source: happinessisreality, via beutifulmagazine)

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    • 1 month ago

    sosuperawesome:

    Life of Pi on DeviantART (click pictures for links)

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    • 1 month ago
    divineblu:

Bata Children’s first communionSource: (divineblu.tumblr.com)

    divineblu:

    Bata Children’s first communion

    Source: (divineblu.tumblr.com)


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